Such are a few specimens of the doctrine of retribution as taught to the popular mind. It is easy to see that such sensual conceptions of the future existence of man must degrade the common notions of the people on duty and virtue. The objects for which the common people in China worship in the Buddhist temples are almost all of a very inferior nature. Religious worship, which ought to concern the recovery of man to pure virtue, and the restoration of direct communication with God by the forgiveness of sin, is changed into an instrument for acquiring various kinds of material happiness.
The opinion the Buddhists hold on the forgiveness of sin is, that it can be attained by repentance and meritorious actions. A definite amount of gifts and worship will gain the removal of a corresponding amount of sin and its attendant suffering. Thus, a filial daughter, by a certain number of days spent in worshipping a Bodhisattwa, or a Buddha, can obtain the rescue of a mother from hell.
In the popular view of the future state, the Hindoo king of death, "Yama" (Yen-lo) holds a high place as the administrator of the punishments of hell. Nine others are joined with him of Chinese origin. They are called the Ten kings. The wicked at death are conducted to them to receive judgment.
The decree by which men are born into the Six states of the metempsychosis is merely that of fate, expressed in the words yin-kwo, "cause and effect," or, employing one
factor only, yin-yuen, "causation," or "fate" (karma). "Good actions" are also sometimes called yin-yuen, because they ultimately bring happiness to the doer.
The motive to a good life, drawn from heavenly happiness, cannot be considered a strong one, when the Devas and their felicity are systematically depreciated, as they are in Buddhism. The "Devas" (or popular Hindoo gods; in Chinese, t'ien) are all mortal, and limited in power. The state of man may be so elevated as to approach to that of the paradise of the Devas. Some men attain to nearly the same power as the gods, e.g., Krishna. Southey, in the Curse of Kehama, has made that personage, although a man, a terror to the kings of the Devas, and such a representation is in accordance with Hindoo notions. So in Chinese Buddhist temples, the visitor sees the highest of celestial beings listening humbly to Buddha.