The Ramayana and Mahabharata
BOOK I: ASTRA DARSANA

Another earnest worker of the present day, who is endeavouring to interpret to modern Englishmen the thoughts and sentiments and poetry of their Anglo-Saxon ancestors, has emphatically declared that "of all possible translations of poetry, a merely prose translation is the most inaccurate." "Prose," says Mr. Stopford Brooke, further on, "no more represents poetry than architecture does music. Translations of poetry are never much good, but at least they should always endeavour to have the musical movement of poetry, and to obey the laws of the verse they translate."

This appears to me to be a very sound maxim. And one of my greatest difficulties in the task I have undertaken has been to try and preserve something of the "musical movement" of the sonorous Sanscrit poetry in the English translation. Much of the Sanscrit Epic is written in the well-known Sloka metre of sixteen syllables in each line, and I endeavoured to choose some English metre which is familiar to the English ear, and which would reproduce to some extent the rhythm, the majesty, and the long and measured sweep of the Sanscrit verse. It was necessary to adopt such a metre in order to transfer something of the truth about the Maha-bharata. into English, for without such reproduction or imitation of the musical movement of the original very much less than a half truth is told. My kind friend Mr. Edmund Russell, impelled by that enthusiasm for Indian poetry and Indian art which is a part of him, rendered me valuable help and assistance in this matter, and I gratefully acknowledge, the benefit I have derived from his advice and suggestions. After considerable trouble and anxiety, and after rendering several books in different English metres, I felt convinced that the one finally adopted was a nearer approach to the Sanscrit Sloka than any other familiar English metre known to me.

I have recited a verse in this English metre and a Sloka in presence of listeners who have a better ear for music than myself, and they have marked the close resemblance. I quote a few lines from the Sanscrit showing varieties of the Sloka metre, and comparing them with the scheme of the English metre selected.