And if the characters of the Maha-bharata impress themselves on the reader, the incidents of the Epic are no less striking. Every scene on the shifting stage is a perfect and impressive picture. The tournament of the princes in which Arjun and Karna-the Achilles and Hector of the Indian Epic-first met and each marked the other for his foe; the gorgeous bridal of Draupadi; the equally gorgeous coronation of Yudhishthir and the death of the proud and boisterous Sisupala; the fatal game of dice and the scornful wrath of Draupadi against her insulters; the calm beauty of the forest life of the Pandavs; the cattle-lifting in Matsyaland in which the gallant Arjun threw off his disguise and stood forth as warrior and conqueror; and the Homeric speeches of the warriors in the council of war on the eve of the great contest,--each scene of this venerable old Epic impresses itself on the mind of the hushed and astonished reader. Then follows the war of eighteen days. The first few days are more or less uneventful, and have been condensed in this translation often into a few couplets; but the interest of the reader increases as he approaches the final battle and fall of the grand old fighter Bhishma. Then follows the stirring story of the death of Arjun's gallant boy, and Arjun's fierce revenge, and the death of the priest and warrior, doughty Drona. Last comes the crowning event of the Epic, the final contest between Arjun and Karna, the heroes of the Epic, and the war ends in a midnight slaughter and the death of Duryodhan. The rest of the story is told in this translation in two books describing the funerals of the deceased warriors, and Yudhishthir's horse-sacrifice.