RETSUJO HATAKEYAMA YUKO HAKA.
The grave was well kept, and the grass had been recently trimmed. A little wooden awning erected in front of the stone sheltered the offerings of flowers and sprays of shikimi, and a cup of fresh water. I did sincere reverence to the heroic and unselfish spirit, and pronounced the customary formula. Some other visitors, I noticed, saluted the spirit after the
Shinto manner. The tombstones were so thickly crowded about the spot that, in order to see the back of the monument, I found I should have to commit the rudeness of stepping on the grave. But I felt sure she would forgive me; so, treading reverently, I passed round, and copied the inscription: "Yuko, of Nagasagori, Kamagawamachi . . . from day of birth always good. . . Meiji, the twenty-fourth year, the fifth month, the twentieth day . . . cause of sorrow the country having . . . the Kyoto government-house to went . . . and her own throat cut . . . twenty and seven years . . . Tani Tetsuomi made . . . Kyoto-folk-by erected this stone is." The Buddhist Kaimyo read, "Gi-yu-in-ton-shi-chu-myo-kyo,"--apparently signifying, "Right-meaning and valiant woman, instantly attaining to the admirable doctrine of loyalty."
In the temple, the priest showed me the relics and mementos of the tragedy: a small Japanese razor, blood-crusted, with the once white soft paper thickly wrapped round its handle caked into one hard red mass; the
cheap purse; the girdle and clothing, blood-stiffened (all except the kimono, washed by order of the police before having been given to the temple); letters and memoranda; photographs, which I secured, of Yuko and her tomb; also a photograph of the gathering in the cemetery, where the funeral rites were performed by Shinto priests. This fact interested me; for, although condoned by Buddhism, the suicide could not have been regarded in the same light by the two faiths. The clothing was coarse and cheap: the girl had pawned her best effects to cover the expenses of her journey and her burial. I bought a little book containing the story of her life and death, copies of her last letters, poems written about her by various persons,--some of very high rank,--and a clumsy portrait. In the photographs of Yuko and her relatives there was nothing remarkable: such types you can meet with every day and anywhere in Japan. The interest of the book was psychological only, as regarded both the author and the subject. The printed letters of Yuko revealed that strange state of Japanese exaltation in which the mind remains
capable of giving all possible attention to the most trivial matters of fact, while the terrible purpose never slackens. The memoranda gave like witness:--
Meiji twenty-fourth year, fifth month, eighteenth day.
5 sen to kurumaya from Nihonbashi to Uyeno.
Nineteenth day.
5 sen to kurumaya to Asakusa Umamachi.