Gleanings in Buddha-Fields
"MANO YOSHIMATSU."

It is everywhere present,--though varying in quality of development according to conditions and the inheritance depending upon conditions. The average Occidental recognizes only the commoner forms of it,--chiefly those made familiar by commercial export. And, as a general rule, what the West most admires in Japanese conventional taste is thought rather vulgar in Japan. Not that we are wrong in admiring whatever is beautiful in itself. Even the designs printed in tints upon a two-cent towel may be really great pictures: they are sometimes made by excellent artists. But the aristocratic severity of the best Japanese taste--the exquisite complexity of its refinements in the determination of proportion, quality, tone, restraint -has never yet been dreamed of by the West. Nowhere is this taste so finely exhibited as in private interiors,--particularly in regard to color. The rules of color in the composition of a set of rooms are not less exacting than the rules of color in the matter of dress,--though permitting considerable variety. The mere tones of a private house are enough to indicate its owner's degree of culture. There is no painting, no varnishing,

no wall-papering,--only staining and polishing of particular parts, and a sort of paper border about fifteen inches broad fixed along the bottom of a wall to protect it during cleaning and dusting operations. The plastering may be made with sands of different hues, or with fragments of shell and nacre, or with quartz-crystal, or with mica; the surface may imitate granite, or may sparkle like copper pyrites, or may look exactly like a rich mass of bark; but, whatever the material, the tint given must show the same faultless taste that rules in the tints of silks for robes and girdles. . . . As yet, all this interior world of beauty -just because it is an interior world-is closed to the foreign tourist: he can find at most only suggestions of it in the rooms of such old-fashioned inns or tea-houses as he may visit in the course of his travels.

I wonder how many foreign travelers understand the charm of a Japanese inn, or even think how much is done to please them, not merely in the matter of personal attentions, but in making beauty for their eyes. Multitudes write of their petty--vexations,--their