Vedic Hymns, Part I (SBE32): Preface to the First Edition... | Internet Sacred Text Archive
Having said so much in vindication of the text of the Rig-veda as published by me, and in defence of my principles of criticism which seem to me so self-evident as hardly to deserve the name of canones critici, I feel bound at the same time both to acknowledge some inaccuracies that have occurred in the index at the end of each volume, and to defend some entries in that index which have been challenged without sufficient cause.
It has been supposed that in the index at the end of my fourth volume, the seventeenth verse of the 34th hymn in Sâyana's quotations from the Sarvânukramanî.the seventh Mandala has been wrongly assigned to Ahi Budhnya, and that one half only of that verse should have been reserved for that deity. I do not deny that we should be justified in deriving that sense from the words of the Anukramanikâ, but I cannot admit that my own interpretation is untenable. As Sâyana does not speak authoritatively on the subject, I followed the authority of Shadgurusishya. This commentator of the Anukramanikâ says: atra ka abgâm ukthair ahim grinîsha ity ardharkoऽbganâmno a devasya stutih; mâ noऽhir budhnya ity ardharkoऽhirbudhnyanâmno devasya b. Another commentator says: abgâm ukthair ardharkoऽhih; uttaro mâ noऽhir ity ahir budhnyah. From this we learn that both commentators looked upon the Dvipadâs as ardharkas or half-verses, and ascribed the whole of verse 16 to Ahir abgâh, the whole of verse 17 to Ahir budhnyah. It will be seen from an accurate examination of Sâyana's commentary on verse 17, that in the second interpretation of the second half of verse 17, he labours to show that in this portion, too, Ahir budhnyah may be considered as the deity.
It is perfectly right to say that the words of the Anukramanikâ, abgâm aheh, signify that the verse beginning with abgâm, belongs to Ahi. But there was no misprint in my index. It will be seen that Shadgurusishya goes even beyond me, and calls that deity simply Abga, leaving out Ahi altogether, as understood. I was anxious to show the distinction between Abgâ Ahih and Ahir Budhnyah, as the deities of the two successive verses, and I did not expect that any reader could possibly misinterpret my entry c.
With regard to hymns 91 and 92 of the seventh Mandala, it is true, that in the index I did not mention that certain verses in which two deities are mentioned (91, 2;