or perhaps it more closely approximates to the Phœnician cosmogony, in which a spirit mixing with its own principles gives rise to creation. Brucker, I. 240. As presently explained, the mixture is not mechanical; it is an influence or effect exerted upon intermediate agents, which produce effects; as perfumes do not delight the mind by actual contact, but by the impression they make upon the sense of smelling, which communicates it to the mind. The entrance of the supreme Vishńu into spirit as well as matter is less intelligible than the view elsewhere taken of it, as the infusion of spirit, identified with the Supreme, into Prakriti or matter alone. Thus in the Padma Puráńa: 'He who is called the male (spirit) of Prakriti, is here named Achyuta; and that same divine Vishńu entered into Prakriti.' So the Vrihat Naradiya: 'The lord of the world, who is called Purusha, producing agitation in Prakriti.' From the notion of influence or agitation produced on matter through or with spirit, the abuse of personification led to actual or vicarious admixture. Thus the Bhágavata, identifying Máyá with Prakriti, has, p. 14 'Through the operation of time, the Mighty One, who is present to the pure, implanted a seed in Máyá endowed with qualities, as Purusha, which is one with himself.' B. III. s.5. And the Bhavishya: 'Some learned men say, that the Supreme Being, desirous to create beings, creates in the commencement of the Kalpa a body of soul (or an incorporeal substance); which soul created by him enters into Prakriti; and Prakriti being thereby agitated, creates many material elements.' But these may be regarded as notions of a later date. In the Mahábhárata the first cause is declared to be 'Intellectual,' who creates by his mind or will: The first (Being) is called Mánasa (intellectual), and is so celebrated by great sages: he is God, without beginning or end, indivisible, immortal, undecaying.' And again: 'The Intellectual created many kinds of creatures by his mind.'

14:20 Contraction, Sankocha, is explained by Sámya, sameness or equilibrium of the three qualities, or inert Pradhána: and Expansion, Vikáśa, is the destruction of this equipoise, by previous agitation and consequent developement of material products.

14:21 The term here is Kshetrajna, 'embodied spirit,' or that which knows the kshetra or 'body;' implying the combination of spirit with form or matter, for the purpose of creating.