The Vishnu Purana: Preface: The Upa-puráńas | Internet Sacred Text Archive
The Upa-puráńas
The Upa-puráńas, in the few instances which are known, differ little in extent or subject from some of those to which the title of Puráńa is ascribed. The Matsya enumerates but four; but the Deví Bhágavata has a more complete list, and specifies eighteen. They are, 1. The Sanatkumára, 2. Nárasinha, 3. Náradíya, 4. Śiva, 5. Durvásasa, g. Kápila, 7. Mánava, 8. Auśanaśa, 9. Varuńa, 10. Káliká, 11. Śámba, 12. Nandi, 13. Saura, 14. Páráśara, 15. Áditya, 16. Máheśwara, 17. Bhágavata, 18. Vaśisht́ha. The Matsya observes of the second, that it is named in the Padma Puráńa, and contains eighteen thousand verses. The Nandi it calls Nandá, and says that Kártikeya tells in it the story of Nandá. A rather different list is given in the Revá Khańd́a; or, 1. Sanatkumára, 2. Nárasinha, 3. Nandá, 4. Śivadharma, 5. Durvásasa, 6. Bhavishya, related by Nárada or Náradíya, 7. Kápila, 8. Mánava, 9. Auśanaśa, 10. Brahmáńd́a, 11. Váruńa, 12. Káliká, 13. Máheśwara, 14. Śámba, 15. Saura, 16. Páráśara, 17. Bhágavata, 18. Kaurma. These authorities, however, are of questionable weight, having in view, no doubt, the pretensions of the Deví Bhágavata to be considered as the authentic Bhágavata.
Of these Upa-puráńas few are to be procured. Those in my possession
are the Śiva, considered as distinct from the Váyu; the Káliká, and perhaps one of the Náradíyas, as noticed above. I have also three of the Skandhas of the Deví Bhágavata, which most undoubtedly is not the real Bhágavata, supposing that any Puráńa so named preceded the work of Vopadeva. There can be no doubt that in any authentic list the name of Bhágavata does not occur amongst the Upa-puráńas: it has been put there to prove that there are two works so entitled, of which the Puráńa is the Deví Bhágavata, the Upa-puráńa the Śrí Bhágavata. The true reading should be Bhárgava, the Puráńa of Bhrigu; and the Deví Bhágavata is not even an Upa-puráńa. It is very questionable if the entire work, which as far as it extends is eminently a Sákta composition, ever had existence.