The Vishnu Purana: Preface: 11. The Linga Purán&#7... | Internet Sacred Text Archive

11. The Linga Puráńa

11. Linga Puráńa. "Where Maheśwara, present in the Agni Linga, explained (the objects of life) virtue, wealth, pleasure, and final liberation at the end of the Agni Kalpa, that Puráńa, consisting of eleven thousand stanzas, was called the Lainga by Brahmá himself 66."

The Linga Puráńa conforms accurately enough to this description. The Kalpa is said to be the Íśána, but this is the only difference. It consists of eleven thousand stanzas. It is said to have been originally composed by Brahmá; and the primitive Linga is a pillar of radiance,

in which Maheśwara is present. The work is therefore the same as that referred to by the Matsya.

A short account is given, in the beginning, of elemental and secondary creation, and of the patriarchal families; in which, however, Śiva takes the place of Vishńu, as the indescribable cause of all things. Brief accounts of Śiva's incarnations and proceedings in different Kalpas next occur, offering no interest except as characteristic of sectarial notions. The appearance of the great fiery Linga takes place, in the interval of a creation, to separate Vishńu and Brahmá, who not only dispute the palm of supremacy, but fight for it; when the Linga suddenly springs up, and puts them both to shame; as, after travelling upwards and downwards for a thousand years in each direction, neither can approach to its termination. Upon the Linga the sacred monosyllable Om is visible, and the Vedas proceed from it, by which Brahms and Vishńu become enlightened, and acknowledge and eulogize the superior might and glory of Śiva.

A notice of the creation in the Padma Kalpa then follows, and this leads to praises of Śiva by Vishńu and Brahmá. Śiva repeats the story of his incarnations, twenty-eight in number; intended as a counterpart, no doubt, to the twenty-four Avatáras of Vishńu, as described in the Bhágavata; and both being amplifications of the original ten Avatáras, and of much less merit as fictions. Another instance of rivalry occurs in the legend of Dadhíchi, a Muni and worshipper of Śiva. In the Bhágavata there is a story of Ambarísha being defended against Durvásas by the discus of Vishńu, against which that Śaiva sage is helpless: here Vishńu hurls his discus at Dadhíchi, but it falls blunted to the ground, and a conflict ensues, in which Vishńu and his partisans are all overthrown by the Muni.

A description of the universe, and of the regal dynasties of the Vaivaswata Manwantara to the time of Krishńa, runs through a number of chapters, in substance, and very commonly in words, the same as in other Puráńas. After which, the work resumes its proper character, narrating legends, and enjoining rites, and reciting prayers, intending to do honour to Śiva under various forms. Although, however, the Linga